Plagiarism Isn’t an Old-Fashioned Notion

In Academia, Marketing, Philosophy, Politics by Diogenes5 Comments

Plagiarism is a strong word. It should conjure up strong emotions, but I worry that many have lost sight of what is and isn’t plagiarism when communication takes just a tap, and saving an image is just a press-and-hold maneuver.

We all know that you shouldn’t copy-and-paste someone’s words into your high school essay, and that you should cite your sources if you are quoting a paper. What about that image you used on your blog or downloaded and then retweeted? What about making a gif from a little-watched video on YouTube and then posting it without giving a nod to the original creator of the content? 

Let’s revisit the formal definition of plagiarism, from Merriam-Webster:

plagiarism (n):

  1. the act of stealing and passing off (the ideas or words of another) as one’s own :  use (another’s production) without crediting the source

  2. the act of committing literary theft :  present as new and original an idea or product derived from an existing source

There are a myriad of resources that discuss what is and isn’t plagiarism, especially in the context of writing in school. There are also some “grey areas”, like in music or movies. (Plagiarism, inspiration, or homage? Many lawsuits in the art industry have been started over this.) I want to avoid the larger profile ones in the music or move industry and focus on the little paper cuts that can add up: plagiarism on social media.

They say these days that the real currency is in your data: your buying habits, your financial records, your followers on Twitter/Snapchat/whatever. Entire careers have been started from social media fame on YouTube, Twitter, Snapchat, and Instagram. The currency on social media is the attention you get, generally measured in followers, retweets, mentions, and likes. It also becomes a virtual version of everyone screaming in a crowded room for attention, so the people in the highest ground will get the most, and gain higher ground. People with huge social media followings wield an entirely new type of power that those who have little to no followings lack, and have very little chance at achieving.

Why do I say this? To illustrate that the landscape isn’t a millennial obsession or some petty issue, but something that can begin (and end) careers. Content creators, be it podcasters, video makers, artists, photographers, or writers, generally won’t get money until their work is discovered and attributed to them. The tiniest thing can become viral on social media, even a meme or snarky tweet, and spread faster than a California wildfire.

We all know this implicitly, because we’re all trying to get attention the same way. That can lead to doing some things that are ultimately plagiarism. Did someone tweet an image you thought was hilarious and comment on it? Did you quote their tweet or give them a hat tip when you saved that image to your iPhone and then tried to post another similar comment? If not, that’s plagiarism. (A “softer form”, to be sure, but plagiarism nonetheless.)

Another gray area is the “follower effect”, wherein someone with a large social media mouthpiece sees something clever done by another with low following, then takes that clever tweet/meme/whatever and either tweets or posts it directly as their own, or modifies it very slightly, then posts it as their own. Technically, anyone with a search engine can find the original source, but who’s going to really do that? In practice, this is also plagiarism, and one that can be compared to “punching down”. It ensures that the truly clever author never gets seen, and that they boost their own following with their wit.

I’ll illustrate with an example: A Twitter user has 30K followers. He posts one fact per day in various topics. I saw him post an interesting fact one day, and a (presumably, by the profile) college student excitedly contributed a “follow-up” fact as a reply. Clearly he was excited to have something to contribute to a conversation. The next day, the 30K-follower user posts that student’s fact verbatim as his daily fact, without mentioning the student who had clearly brought it to his attention. Anyone could have seen the reply from the previous day (though most people don’t really look through all of a thread), but we all knew that the second tweet from the user with a large following would be seen by tens of thousands who would believe it was his.

[Ed. Note: This is a topic of conversation that is perennial in places where struggling artists are often ripped off by better, well-known celebrities. See, for example, the controversy in Tumblr or the practice rife in Stand-Up Comedy, including Conan O’Brien, Amy Shumer, and – of course – Carlos Mencia.]

Caught! (Images Sources: Carlos Mencia, Conan O’Brien, Amy Shumer)

Petty? Maybe. Let’s try another example. Another Twitter handle likes to post interesting science-related gifs. It turns out they regularly make these gifs from excerpts of YouTube videos, many of which have less than 100 views. Do they credit those YouTube videos as the source of their gif-synopsis? No. That’s also plagiarism. Video content production is hard, especially when you’re trying to make an interesting Rube Goldberg machine, or capture a chemical reaction. How would it feel to be the creator of that video, knowing just a portion of it went viral on the internet, and you will never get to capitalize on it, but rather someone else who had nothing to do with it?

What can you do about this? Many of us are followers, not followed, on social media. That’s ok. Remember that ultimately you have the power. Don’t mindlessly retweet or share something without thinking. Don’t follow people who are known to pass off others graphics, photos, gifs, and videos as their own. Ask for the original source. Keep in mind the work the actual creators pour into creating content, and remember that plagiarism doesn’t just have jurisdiction in your high school essays or in the academic realm of research papers.

[Update 2023.01.16]

A very special thank you to Emma Careyaz (I hope I got your name right, Emma), who pointed out to me that in the 6 years since I wrote this, there have been even better tools out there to help you find whether a paper has been plagiarized.


  1. Okay, how do people feel about tweeting again from the source article rather than retweeting your source for it? Do you agree with the article, but not the tweet?
    Have something different to say about it?

    1. I have a feeling you’re being tongue-in-cheek, but it does go to a core philosophical argument. Personally, I’m going to be writing a how-to on communication/metacommunication because I think it goes directly to your question.

      Personally, I do both – go to the original article (if I happen to stumble upon it first, before I see it tweeted), or go to the source article even if I see it tweeted (because it allows people to focus on the content/communication rather than what someone says about the content (i.e., metacommunication).

      A modicum of understanding about Communication Theory can go a long way here. 🙂

  2. Author

    Mr. Carlson, thank you for taking the time to comment. You bring up a really interesting question, and I had to stop to think about it, since modern ways of sharing and communicating are so complex.

    To your question, I think there’s room for both. It’s important that the original source gets the “points”, be it likes or traffic or whatever, so one should ensure that happens. If that requires going back to the original source to share from there, then I think one should do that. I think it’s also certainly quite polite to thank/credit the person who drew it to your attention.

    If a person comments on an article by “quoting” a tweet, for example, then retweeting their tweet is acceptable in my mind because they have now added their own content to the conversation.

    In sum, I’m really glad this is being discussed, especially in a way that seeks to thank all involved in a dialogue. Thanks again for dropping in.

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